Playing such pieces on a highly expressive piano helps the pianist learn various techniques and experience the same joy of expression as a painter, but through sound.īinaural sampling is a method of sampling in which special microphones are placed on a mannequin’s head in the same positions as the pianist’s ears to capture piano sounds the way that they sound in reality. In the last of the Chopin nocturnes, trills, legato, and other delicate techniques where fingers seem to float over the keys deliver the airy, smooth tonal expression required. ![]() In Liszt’s “Un Sospiro,” the accompanying arpeggios accent the melody without overwhelming it, and varied expression of the melody gives it the same quality as vocals. ![]() In Debussy’s “Clair de Lune,” a loose touch creates the faint tone that makes the melody stand out more crisply. Grand Expression Modeling excels at faithfully reproducing the output expected of these techniques in many well-known songs. This makes it possible to vary the output by playing the keys to different depths and with different speeds, even when using techniques such as trills or legato or emphasizing the melody over the accompaniment. The Grand Expression Modeling introduced in the CVP-900 Series translates the widely varied input from the pianist’s fingers into the same limitless tonal variation of a grand piano. Touch refers to the pianist’s control, not only of intensity (softness/loudness) in playing and releasing the keys, but also of the speed and depth with which the keys are pressed. The interaction and interplay of the hammers, dampers, and strings inside a grand piano respond to the subtlest nuances of the pianist’s touch, creating a limitless range of tonal expression.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |