I agree that Kate has nothing left in NY for her anymore, she wasn't happy with her life, but just running around chasing ghosts isn't really much better. she was your friend since childhood and took her boyfriend/husband, and just acts ♥♥♥♥♥♥ all the time. Though I was kinda mad that we never got an Olivia payoff. I was really hoping for her to miss the train, or actually be confronted by flashbacks of her questioning why she was doing the things she was doing, but no, she ends up in the train again. It feels more like running away from reality, than actually chasing a dream. I thought that jumping on the train was just sequel bait, like the ending of 1 and 3, "oh Kate always chasing some dream", but at the end of the day she's chasing for someone that pretty much left her alone and was chasing HER dream (like Hans did before). I thought Dana would just have left the music box in the house and leave calmly, but at the end the music box was from the Zimmers that were pretty much glossed over the whole game. Didn't seem like a really strong connection there. Hell, when Dana pretty much said that she isn't part the family and she felt nothing looking at her biological daughter was the nail in the coffin I thought, but then they tacked on the scene with Kate and the piano, and it felt forced, specially since Kate never really cared about piano, abandoned playing and just called it a teen hobby. A bunch of times Kate asks herself why is she going around searching for a random woman in a picture, why it's so important that SHE finds the bodies NOW risking her life when she could just wait to tomorrow. The moment at the mountain when Oscar called out Kate for basically being an adrenaline junkie (or trying to escape from reality) felt like really like the narrative core of the game. The ending was good, but I thought it would conclude the saga.
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